Shy at retirement

The happy ex-executive
Is finished with their woes –
May quaff another malt
When curling up with slippered toes
Can sit and read the papers
Take his breakfast pipe in bed
And when the press come calling, say
‘Ask someone else, instead!’

The happy ex-executive
Has set his suits aside
To walk the dog in comfort
With no other plans to hide
The boardroom doesn’t matter
As he mutters through his day
No longer forced to listen
To the nonsense some might say

The happy ex-executive
Has time to count his chicks
Now grown and flown and flapping hard
For mortar board and bricks
He sits and sips his coffee
That no secretary bears
And wonders why the future
Hangs so often round his ears

The happy ex-executive
Now pastured and put out
The boredom that keeps looming
Moulds his frown into a pout
At four a.m. deciding
That enough’s enough, ‘tis done
It’s time to join a panel;
Find some new oblivion

The happy ex-executive
No longer sees himself
As more than the reflection
Over mantle, mirrored wealth
And what was it he wanted
When he first took on the role
But to see himself rewarded
For team efforts, on the whole

The happy ex-executive
Is feeling somewhat lost
Unsure that it was worth it
Pensioned off as ‘managed cost’
The marks of market forces
Take a little time to fade
But happy ex-executive’s
Already got it made

Head of State

Alone is his pyjamas
After the sycophants
Are all in their beds
The dictator, silent
Examines his image
By moonlight
Wrinkles and lines
Cratered temples
And soft-joweled planes
Surrounded by wealth
In the marbled rooms
Of a haunted palace
He did not inherit
But strives to display
To best advantage
For diplomatic reasons
Dreaming of leaner,
Keener days
Before he became
A political prisoner
Trapped and tamed
By the violent success
Of his own actions

Observations

Explosions of colour
In the monochromacity
Of the modern art room
At the Tate Britain
I sit and stare
As Titian hair atop
A riot of pink and green
Flounces past a
Barbara Hepworth
Pausing only to consider
Her own reflection
In a Modigliani
The shallow curves
Of a polished surface
Echo the movement
Of our livelier exhibits