Trade Burdens

Put your shoes to one side,
Turn around
Open your eyes
Then remove the blindfold
Really open them
What can you see?
Is it a pretty picture
One you would hang
On a bedroom wall
To gaze upon
Each broken dawn
Or one you would bury
Deep in an album
Kept in a box
Under the bed
Dusty with disuse
Only to see the light
When grandkids visit
At some idyllic future time
Of tolerance and teaching
That is yet to come
And may never happen?
Truth be told
It doesn’t matter.
Whatever your vantage point
Gender, skin tone, genetics,
You see things
As you see yourself
And feel excluded
From any grouping
You view as ‘other’.
This is life
(Or something like it)
Your experience
Will not match
That of those ‘others’
Nor theirs, yours.
We are all different
And empathy is not
Experience.
That certain knowledge
Of the unknown,
The unknowable
Could be our strength
But differences also
Divide us
One from the ‘other’.
Those who would understand
Take it further
Try to get closer
To forbidden wisdom
Fail in their attempt
For alas!
We cannot truly
Experience ‘otherness’.
Plato’s cave all over again
Nothing but shadows
Elusive and unfeeling.
We are not all filled
With benign curiosity
Hardly surprising.
For those whose world view
Does not admit equality
It only ends in tears,
Accusations,
Mimicry, farce,
Inappropriate
Cultural appropriation
Labels, stereotypes,
Profiling.
So what do we make of it
This unfathomable ‘otherness’?
Racism, misogyny, xenophobia
Fear of the unknown
Misunderstanding
Embarrassment and even
Murderous hatred.
The persistent among us
Keep picking at scabs
So old wounds fester
To the point of eruption
Irritated by irrational isolationists
Lodestone
To the bitter iron
Of bad blood
Drawing down ire like
Hera in her lousy marriage
Choreographed blame
Detracting from the culpable
To the scapegoat.
Bringing forth bolts
Of heavenly fire
Raining misery
Down upon us
All mere mortals
And still we stand divided
Our own ugliness comes to the fore
Humans racing
Competing for each burden
Losing face and patience
Fraying, unhappy peace
As we ignore our ignorance
Setting aside compassion
For righteous bigotry
Small-minded acts of defiance
Banner waving, street fighting.
Fail Army?
Too bloody right!

 

Inheritance

I write now with my father’s pen
Old steel has assumed my
Ragged pencil’s place
Smooth and worn in my
Calloused fingers.
Daughter at my breast
I remember my father’s stories
As my own swirl and foment
Beneath the creased brow
That is my other inheritance.
Not a gentle man, nor a good one
But a crafter of careful lines
Who spoke limited truth
To lasting effect.
What of him remains
But my own comfortable lies
Sweeter than fact, more palatable
Harder to deny than the
Elusive verisimilitude
Of others.

Head of State

Alone is his pyjamas
After the sycophants
Are all in their beds
The dictator, silent
Examines his image
By moonlight
Wrinkles and lines
Cratered temples
And soft-joweled planes
Surrounded by wealth
In the marbled rooms
Of a haunted palace
He did not inherit
But strives to display
To best advantage
For diplomatic reasons
Dreaming of leaner,
Keener days
Before he became
A political prisoner
Trapped and tamed
By the violent success
Of his own actions

Scotched Stereotypes

What’s your connection with Scotland?
Well it seems that I owe it my birth:
Mum met dad in Dundee.
And they later had me.
Could that be connection enough?

I’m afraid I have never been back there.
Perhaps you were hoping for more
Of a recent connection –
With local inflection?
I’m sorry to seem like a bore.

Though my parents went touring the Highlands
And they both played to Edinburgh crowds;
Spent some time up in Perth
With old friends and much mirth –
Still, I’m not sure it could be allowed.

For I never have eaten a Mars bar
That’s been battered and dunked in a vat.
I don’t fling, or toss cabers;
Quote Burns to the neighbours;
Wear kilts with no undies and that.

So perhaps you cannot call me Scottish;
More a botched-up attempt at a clan.
Though my dreams were conceived there,
I won’t be believed fer
A wee bonnie lassie o’Glen.

Love poem to my hands

These small scars and subtle lines
The marks of canula and razor blade
This triangle of raised skin from an
Unlikely first foray at false nails
Tell my story better than palmistry.
Strong hands, cast in my grandfather’s mould
The broad span of a peasant-pianist
Clasping my mother’s work ethic
My grandmother’s curved third joint.
My hands are rebels, weatherbeaten
Eschewing my father’s manicured elegance
With overgrown cuticles, nails kept short.
Functional fingers, well-muscled
And only two permanent ink stains
On the right hand, unmoved since school;
The wart on my left a source of teasing
My witch mark, mocked
By ignorant children.  I would not change
The fine hairs on my fourth knuckle
Hidden by the ring I sometimes wear
For the world.