I am not a nurse

People tell me I look like one

Whatever that means

I hope it alludes to my

Caring, empathetic nature

My tolerance of others’

Less savoury habits

Being an all-round good egg

Always on time and

Well-equipped

With clean cuticles

Kind eyes

And a sympathetic ear

I have my doubts

Hospital corners and bedpans aside

I worry all you see

Is a short skirt

A clipboard

And a pair of sensible shoes

You have to fill in the blanks

Imagine the stockings

Far better to think on

Than the reality of my

Boring old socks…

While I am not one

To knock a good fetish

It is strange how

Blood pressure rises

When you see me

Snap on some marigolds

Ready to get down to business

Doing the washing up

Dressed in blue

Zarafa, my love

With your tiny fingers and toes
Nails so sharp to rake new lines
In your young cheeks
With the fresh sensation
Of shock and awe
We welcome you to this place
Unknowing how to tell you
But with soft touches
Gentle words and careful
Rubs to soothe your stomach
As it navigates for the first time
Those aspects of life
That are harder to swallow
If we are not perfect
Trust us when we swear
We will try ever harder
To understand and be present
For and in all things
That matter to you
Please know that
You are wanted, and needed
And best of all,
You are loved

Oma says

Little old ladies dressed all in black
Carry great loads on their rock-solid backs
So next generation may learn how to play
They work ’til they drop and are carried away

Little old ladies have little to lose
They’ve time to be gentle and courage to choose
May praise what achievements are worthy of love
And prod at the arses in need of a shove

Little old ladies can lead from behind
Obedient offspring (it’s all in the mind)
The strength of the nation all summed in a phrase
“Old wives’ hands hold answers”, or so Oma says.

Love poem to my hands

These small scars and subtle lines
The marks of canula and razor blade
This triangle of raised skin from an
Unlikely first foray at false nails
Tell my story better than palmistry.
Strong hands, cast in my grandfather’s mould
The broad span of a peasant-pianist
Clasping my mother’s work ethic
My grandmother’s curved third joint.
My hands are rebels, weatherbeaten
Eschewing my father’s manicured elegance
With overgrown cuticles, nails kept short.
Functional fingers, well-muscled
And only two permanent ink stains
On the right hand, unmoved since school;
The wart on my left a source of teasing
My witch mark, mocked
By ignorant children.  I would not change
The fine hairs on my fourth knuckle
Hidden by the ring I sometimes wear
For the world.