The Reckoning

In these fractions I seek solace
That infarction is no menace
To my own unknown condition
Though my colleague lies on trollies
As they fill her veins with serum
Hoping vasos are dilated
I’m surrounded by the vision
Such careers are overrated
In my secretary’s costume
I must take on further duties
Try to prop up one more rostrum
And ignore last rites for loot. He’s
Working from his home computer
While I ride the bus to nowhere
In the misty morning chatter
That’s conceived to make me go there
How much more am I allotted?
This existence, mere survival
Will I too go out, garotted
By a heart attack unrivalled?
As my logic fails, convince me;
I’ve decisions that are burning
Every inch would rather lynch me
Than continue painful earning.

Although I rarely explain my scribblings, as I prefer to let the reader interpret them at will, this poem, and the one that follows are written in response to a recent event. The woman with whom I share a desk at my day job suffered a heart attack this week. The events on that occasion and which have followed have caused me to question our place in the universe with perhaps more focused ferocity than usual.

Untitled

This is the place we come to die
We secretaries, in our rows
Two frozen stiffs, a living lie
Few care to note, and no one knows.

While patient, we sit out our time
In managing capricious men
Whose fruitless whims, though not malign
Wear lines on brows and fray each hem.

One more may chew on dust this hour
No more to block electric space
In diary; a heart lacks power
To beat a path through empty wastes.

We are not dumb, and yet, we wait
Preparing meeting rooms, hot drinks
Awaiting proof; appreciate
A mind, unheeded, soul that shrinks

And though the autopsy infers
What killed her was nobody’s fault
That one can prove, (except for hers)
With such a sedentary vault

Of memories of closet, desk,
A filing cabinet to store
The means of murder – this slow death
Made up of tedium and chore.

Press Night

The show must go on
As if pain were so much motley
Your costume for the close of Act One
Calls for something jolly

The lighting grid that follows closely
Every tiny truth
Is signalling for sequence two
So hit your marker, move!

No tears may fall upon your cheek
For make-up will no secrets keep
And running down your chin to seep
Through dry-clean-only, borrowed, cheap

Steal hope for critic’s mild misgivings
Drowning in depressing clippings
Uglified by wig and ribbons
Pantomime with all the trimmings

Make dumb show and mime for laughs
How things are fine – they’ve rung the half
Don’t let us down, we’ve paid to see
Up close, what’s not reality